Progress

I had a hard time getting started this morning. I don't know whether it was the rain, the chilliness, or feeling sleepy, but I kept avoiding my computer. Oh, I'd sit down and write a little, but then I'd go off and do something that clearly could have waited. Then I'd return to the computer, check email, some blogs I like, Facebook - and so on -  I know you've all been there.

But the good news is that I stuck it out. I almost quit at 600 words. I was at the end of one scene and could have picked it up tomorrow. But I didn't. I stuck it out, sat there and thought and wrote and then thought some more.  And wrote some more. Finally, I was rewarded with a total of 987 words.

I am humbled, once again. The only way to write is to sit there and do it. And no one can do it but you.

Reading Like a Writer by Francine Prose

What you read can determine what and how you write. I know I'm affected by what I read and since everything that goes into my head could potentially come out in a different form on the page, it's a good idea to read good books.

Many people recommend the classics, but sometimes they're difficult. Although, since starting Francine's book, I'm going to have another go at some of them, particularly Jane Austin. I watched The Jane Austin Book Club yesterday as a treat for my 700 word success (and also a good week of words). It made me go on a serious hunt for a Jane Austin book in my collection, which I couldn't find. I think they didn't make the cut when we moved to AK...

Some words to remember: on page16 Francine says, "Every page was once a blank page, just as every word that appears on it now was not always there, but instead reflects the final result of countless large and small deliberations. All the elements of good writing depend on the writer's skill in choosing one word instead of another. And what grabs and keeps our interest has everything to do with those choices."

Tweaking

This morning, I spent some time editing. This edit wasn't a careful line edit which I do when I'm actually finished with a manuscript. In fact, I rarely edit during a first draft as, for me, it interferes with the process.

This was a quick clean-up, a tweaking. I had to adjust the Mom character's actions and dialogue in order to more fully flesh-out who she is. Most often when I first write about a character, I know nothing about her. She just starts talking (if I'm lucky...) to me. But then, she may change as I get to know her better and that forces me to tweak in order to make the new her and the old her gel.

The good news is they've gelled.

The better news is that I also got 716 words done.

The best news is that I stopped at a great place which will make it easier to start tomorrow (hopefully) or Monday.

Happy Weekend!

Characters

Something wonderful happened last night. I suddenly knew that the grandmother in my new book was a hypochondriac. I had known she had some sort of serious psychological disorder, but I didn't know what.

This project began when I decided I wanted to explore some issues in my own life more deeply. I felt I could use these details to weave a compelling story.

But the problems began almost immediately. I never seem to be able to write about real life. Here's why: real life intrudes. My characters are all living, breathing people in their own right. And if I try to take someone out of real life and plop her exactly as she is into my story, the character rebels. So the grandmother in my story was rebelling. I had pegged her as having a number of fairly serious psychological issues but then she just sat there on the page refusing to talk.

After brooding about this for awhile, I finally, finally returned to the most important thing - the story. What would move the story ahead? Grandma could have a condition, it just had to be a condition that would mesh with the story, be important to the other characters and add something. And then in a flash, I knew: she was a hypochondriac. A serious one, at that.

With one swoop of the keyboard, I'll change that real life person into a character and the story will be the winner.

How do you feel about molding characters? Do they do what you want them to do or do they rebel?

Goals

In August I set a writing goal of 1,000 words per day during the week. I set the same goal several years ago when I was working on a middle grade novel I have since finished. It works. I made a copy of the calendar I keep by my computer and on it I record the number of words I wrote and also the total number of words thus far in the manuscript. Over the month, this helps me to see where I was and how far I've come.

This goal of 1,000 words is a lofty one as most days, I won't reach a thousand words, but on the other hand, some days I will. Maybe I prefer to under reach than over reach. I also know I could write on weekends which would up my productivity a lot. But weekends are for my family and ever time I try to choose, family always wins. Additionally, I don't like to be torn, and having my family in the house is distracting. So I usually opt for thinking about the story instead of actually writing it. Which deserves a lot more credit than I give it.

Today's count was 503. I'm happy with it as I think today's writing was pretty good. (Unlike Monday's which was not.)

Don't get it right, get it WRITTEN

This post could also be called, "Don't get it right, get it finished." Because getting your project finished is as important as the starting of it. And by finished, I don't mean done. I mean that you have finished Draft 1. There may be 65 other drafts that follow it. Or 5 or 72 or even 102. In each of these drafts, you will be editing which is the other half of the puzzle of writing. As you tighten, agonizing over using this word or that, you will be taking steps - some teeny, tiny baby steps, but steps nonetheless - toward your completed project.

But without Draft 1, there is nothing finished. Nothing to edit.

So go on - don't get it right, get it written. You can do it!